Thursday, 24 April 2014
Monday, 21 April 2014
Moorside Dorothy Cooke Goes Global
Hot on the heels of the production of 'Cheerleaders' in Nottingham you get another chance to see it. Only problem is it is in Australia!
Well done Dorothy.
Wednesday, 16 April 2014
Verse letter to Shanta Everington – 'Drowning in Cherryade', a Chapbook of Poems reviewed by Richard Dillon
We haven't met, in the
narrow 'how d'you do'
sense (a teaser: can you think of who
I stole that from?); we know each other's names
from work (oh, that would be Clive James).
So, having volunteered, the penny's dropped:
that when your little Chapbook gently plopped
into our house a privilege unfurled -
a chance to journey through another's world!
For which, my thanks are due, as lesser things
to start, the book's design-imaginings
are wonderful: its cherry cover, its font,
its size, the sense it's as you want.
But what we write is where we stand and fall,
a page of white an inner-city wall:
I mean, your setting has an urban feel
(of shops, of things, of cafés, fashion-spiel,
etcetera), and though I recognise
such streets from once-upon , to these old eyes
they're just the seeds that zest the oil,
and not enough to mean a meal will spoil.
What draws me in, your writing's verity,
is what I feel when catching memory
like this: 'I wish I could reach in...' -
the photograph motif, the friends, the kin,
the you of then, of then, incarnate then;
the cheek we stroke, never mind 'again'.
There's more. The livid lot between what is
and was is represented here by fizz,
or lollipops, or pink, and how such fluff
translates to, frankly, sanguinary stuff
is hard to say, but in the portal shift,
the violence in someone random's gift,
the psycho-vigilance we navigate when young,
the hair, the lips, the sharpening of tongues,
are in our lives the way they're in the air,
local habitations, present fare.
In short, I like your book, would recommend
sense (a teaser: can you think of who
I stole that from?); we know each other's names
from work (oh, that would be Clive James).
So, having volunteered, the penny's dropped:
that when your little Chapbook gently plopped
into our house a privilege unfurled -
a chance to journey through another's world!
For which, my thanks are due, as lesser things
to start, the book's design-imaginings
are wonderful: its cherry cover, its font,
its size, the sense it's as you want.
But what we write is where we stand and fall,
a page of white an inner-city wall:
I mean, your setting has an urban feel
(of shops, of things, of cafés, fashion-spiel,
etcetera), and though I recognise
such streets from once-upon , to these old eyes
they're just the seeds that zest the oil,
and not enough to mean a meal will spoil.
What draws me in, your writing's verity,
is what I feel when catching memory
like this: 'I wish I could reach in...' -
the photograph motif, the friends, the kin,
the you of then, of then, incarnate then;
the cheek we stroke, never mind 'again'.
There's more. The livid lot between what is
and was is represented here by fizz,
or lollipops, or pink, and how such fluff
translates to, frankly, sanguinary stuff
is hard to say, but in the portal shift,
the violence in someone random's gift,
the psycho-vigilance we navigate when young,
the hair, the lips, the sharpening of tongues,
are in our lives the way they're in the air,
local habitations, present fare.
In short, I like your book, would recommend
its
sweet intensities to writer, friend
and all with eyes to see and mouths to speak
who love a witting phrase and pared technique.
and all with eyes to see and mouths to speak
who love a witting phrase and pared technique.
I have a review copy of the book - if you want to read it, just ask. Shanta's website is at
http://www.shantaeverington.co.uk/
http://www.shantaeverington.co.uk/
Richard
Wednesday, 9 April 2014
BRUSHSTROKES by Heather Shaw
PREDICTIVE TEXT
‘I know exactly what it’ll be
like,’ Rosalind said. ‘I should never have agreed to go.’
Celia looked up from the blouse
she was ironing. ‘Typical you,’ she said through a hiss of steam,
‘getting there before you’ve arrived.’
‘Well, there’s some chance of
a handle on the future,’ Rosalind said. She steepled her fingers.
‘The past plays tricks. What’s past help should be past grief’.’
‘Shakespeare.’ Celia’s tone
was dismissive. ‘Isn’t it time you stood up to him? Anyway, what
did he know about re-unions?’
‘I’ll never get the clothes
right,’ Rosalind said. ‘What do escapees from the third-age
ghetto wear in public?’ She shuddered. ‘It’ll feel like hunting
in packs with opinions more instant than coffee.’
‘You’re not above an instant
opinion yourself,’ Celia said. She stared over the ironing board at
her sister. ‘Try not to let that shell get too thick.’
‘I don’t know you mean.’
‘Oh I think you do, love.‘
Celia poured water into the iron. ’You’ve been curled inside it
for two years now, Rossie – since Hugh.... That shell of
bereavement smothers the real you. Come back to us soon. ’
It wasn’t the mention of her
husband but the childhood nickname that had Rosalind forcing back the
tears.
‘Go to your reunion,’ Celia
said. ‘Please.’‘It’s not exactly a reunion. Just a
get-together with the other students on the online course, a
meeting.’
‘Good idea.’ Celia grinned.
‘Travels end in lovers meeting.’
‘Journeys,’ Rosalind said,
‘It’s journeys. Journeys end in lovers meeting.’
‘There you are then.’
Their laughter was the shorthand
of siblings, a shared memory with no need of words.
You
can read the rest of the story and discover what happens when
Rosalind joins the re-union, in BRUSHSTROKES
a collection of short stories by
Heather Shaw
Published by Pewter Rose Press.
Available
from Amazon – paperback or ebook.
Monday, 7 April 2014
First Tuesday' Open Meeting 6th May
First Tuesday' Open Meeting 6th May 2-4 pm
"99- But No Flake or Ice Cream"
Chris Fewtrell
Chesterfield Library
'First Tuesday' Meetings are held every month except August and are suitable for anyone who is interested in discussing and undertaking practical exercises in creative writing - prose or poetry
They are held in the Meeting Room Lower Ground Floor - Next to 'Browser' Cafe
No booking necessary- just turn up
Tuesday, 1 April 2014
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