As
a writer it’s easy to convince yourself that reading books about writing is as important as writing itself. It isn’t, I know,
but sometimes a little help is welcome. The following three titles are ones I’ve
found really useful.
WRITING
FICTION WORKBOOK by Lisa Selvidge,
Ashley Stokes and Ian Nettleton
[ISBN 978 1 84728 250 7 available from Amazon]
This
is self-published. I can’t imagine why a publisher didn’t snap it up because
it’s one of the best of its kind especially if you’re at the beginning of your
writing life or helping others get started.
Dealing
mainly with short stories, the book begins by suggesting ways of stimulating
ideas and what to do with them once they arrive. The middle section concerns
plotting, characters and point of view. How to set about re-writing and
re-crafting forms the final section.
Within
this structure are innumerable examples of how other writers have tackled the
hurdles of writing, references to useful websites and other resources and empty
boxes for scribbling your own comments and ideas.
I’ve
dipped into this book more times than I’ve faced a blank page.
HOW
TO WRITE FICTION [and think about it] by Robert Graham
[pub.
Palgrave/Macmillan ISBN 1 4039 9315 7]
The
subtitle suggests why this book is different from many others of its ilk.
Robert Graham believes in what he calls ‘reflective learning’ – self-evaluation
and reflection projects, both designed to ‘develop the habit of examining not
only the creative processes....but ...your growing understanding of the kind of
writer you are...’
There
are innumerable helpful ideas of the technical kind and what Robert Graham
calls ‘Writing Bursts’ which he describes as ‘ten-minute exercises designed to
get you writing fit.’
For
more experienced writers keen to extend their creativity, this is an excellent
book.
CREATIVE
WRITING – a workbook with readings ed. Linda Anderson
[pub.
Routledge/Open University ISBN 0415 372437]
For
me this was a serendipity, though weighty, find. It’s part of an OU Creative
Writing course but can be used individually. A very practical workbook with
activities designed to produce writing in several genres, it was written by
published authors with tutoring experience.
Each
aspect of writing covered is supported by a wide range of examples from
published work. As the editor says, ‘Reading
is the chief way to train yourself as a writer.’ The writing exercises are
practical and designed to ‘...engender your own abundant stack of material.’
I
paid £22.99 for this book but it was a worthwhile investment.
There
are many how-to-write books sitting on my shelf, all of which offer suggestions
and help to get the best words down in the best possible order. For me, these
three are the best.
Heather
Shaw
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