Tuesday, 17 December 2013

Moorside Writer Heather Shaw gets First Prize

Fosseway Writing Group

FOSSEWAY WRITERS is a long-established Newark group.  There are open competitions in different genres, one of which is usually poetry, another is the Mabel Barber Memorial Competition and the third is the fiction competition.

The last meeting of 2013 was the Fiction Competition results evening. The judge, Sheelagh Gallagher, shared some insightful and helpful comments about the entries and, at the same time, proved to be an amusing and entertaining speaker.
The winner of the Fosseway Fiction Competition 2013 is:
1st Prize - A Piaf Moment by Heather Shaw of Chesterfield

Friday, 13 December 2013

Next Open Meeting - 7th January 2014 - All Welcome 'First Tuesday'

January 7th 2-4 pm 

Heather Shaw 'Echoes'

Chesterfield Library

'First  Tuesday' Meetings are held every month except August and are suitable for anyone  who is interested in discussing and undertaking practical exercises in creative writing - prose or poetry

They are held in the Meeting Room Lower Ground Floor - Next to 'Browser' Cafe 

No booking necessary- just turn up

Christmas Recipe - A Poem by Dorothy Cooke

Take an echo of carol singers,
the crackle of a blazing log fire.
Blend in the scent of pine needles
infused with a hint of mulled wine spices.
Add a sparkle of lights from a tinselled tree.
Mix in the mystery of Midnight Mass,
then sprinkle with friendly laughter and chat.
Combine all these ingredients and immerse
in the wonder of the birth at Bethlehem.

Dorothy Cooke

Wednesday, 11 December 2013

The Hepworth, Wakefield

Pressure of work; I couldn’t get to the Hepworth on the day, so I combined a visit to Leeds, the day after, with a shimmy off the M1 to the Hepworth in Wakefield.  The wind scallywagged some leaves as I crossed the bridge from car park to gallery, but there were great, sturdy sheaves in the sky, with sprays of back-light fanning between them.

Inside, with only a parcel of time to spare, I concentrated on Hepworth’s work, sculptures only, which should have felt as if something was being missed, but didn’t.  I prepared by looking online at some of Barbara Hepworth’s ‘hospital drawings’, which, though none are on display at The Hepworth, are wonderful.
Inside, I viewed two rooms of Hepworth’s sculptures, but must admit the one called ‘Totem’ took the bulk of my attention. You can see one view of it at

though, to be honest, I’ve got three better snaps on my mobile.

White marble, and stands about 5ft tall, roughly 1.5 in what we don’t think in.  From one aspect, it’s an eagle, perched high, still.  Feral, not threatening, but observing like a sentinel, all-seeing, against  intervention.  It has a mouth, which speaks not to welcome but to record the things it sees. From another aspect, it is human, but cowed, close to being defeated, and this view takes me back to the previous one to see if the eagle I saw wasn’t, in fact, human.  Which it was.
From another aspect, the one you get when driving from Chapel-en- la Frith to Tideswell, they’re outdoors, and stand severally in the green slopes up to Wall Cliff, grazing fields shorn of their ruminants, but making good explanations of the shadows.

From another, it’s a Tawny Owl, white ruff something of halo, landing on a fence post at the Dukesbank Plantation, on the road south into Bakewell.

Richard Dillon

Sunday, 1 December 2013

Using the Muse and Musing the Use - a visit to The Hepworth Museum

Art isn’t there to be useful, in museums or otherwise, but other people’s creativity can be rewarding for a writer, whether or not s/he enjoys what they have created. Rarely have I come away from an art gallery without feeling stimulated to write. The Moorside Writers’ Group visit to The Hepworth Museum left me with at least half a dozen ideas which could lead to short stories.

Hannah Duguid, reviewing the Hepworth exhibition of Dana Schutz’s paintings [The Independent Sat. Nov 22nd]  says that this artist ‘...makes paintings with ideas that should be unusable...’ exploring ideas that ‘...might be considered anti-social.’
     The works certainly demand attention, not only for being large and colourful but for being enigmatic. I didn’t understand all of them and they are not the sort of pictures I would want on my walls but they did make me think.

‘Butterfly’ depicts a disturbing image of young boy pulling apart a bright butterfly.  His head, filling two thirds of a square canvas, seems to have been constructed from two dissimilar halves joined, uneasily together. The left and right side of the brain perhaps? The right brain will tell you that nothing can be fully comprehended unless taken to pieces and examined; the left brain will remind you that precious things are best enjoyed intact.

Story idea – a character tempted to dissect a relationship in order to determine how it works and whether it will endure.

‘Getting Dressed All At Once’ shows a figure surrounded by a whirl of clothes and shoes.

Story idea – a character battling with the confusion of old age.

      ‘Occular’ was another disturbing image showing a large head, of indeterminate gender, in falling snow. Where you would expect to see the eyes, was a pair of side-opening, casement windows.

Story idea – a character gaining insight by looking, unblinkered, at something or someone for the first time.

 I haven’t come across the work of Albert Wainright before and very much enjoyed the delicacy of his careful, almost diagrammatic, watercolours. ‘Boy in Theatrical Costume’ showed a lad with a ‘Look at me!’ expression on his face.

Story idea – a character who comes across to others as being self-obsessed and dramatic but whose look-at-me demeanour is a disguise for feelings of inferiority.

Both Hepworth and Moore’s sculptures often contain apertures which give a series of changing frames through which the rest of the world can be viewed.

Story idea – a character reflects his/her changing view of the world as s/he has grown older and more experienced.

On a second walk around the galleries, I  noticed a middle-aged woman, chewing gum and stomping behind her male companion, saying little but staring in disbelief at the paintings. Her expression epitomised that well-know attitude to modern art  - I know what I like and this isn’t it.

Story idea – something positive happening to a character in an art gallery despite her/his initial hostile reaction to the exhibits.

Talking to one of the curators about Matthew Darbyshire’s installation was fascinating. The placing of W.A. Ismay’s huge collection of pots amongst the kind of modern ‘white goods’ which Isamy never owned was apparently intended to make the viewer wonder about what we value. Ismay believed that pots contain the spirit of the person who created them. Darbyshire asks us to wonder if the same can be said of utilitarian items, mass-produced but also originating in a creative mind.

Story ideas –  do possession define us?
-          what we leave behind – also the title of a Wainright painting
-          how do humans relate to inanimate objects?
-          how do objects relate to the humans who use them?

Conclusion? Even if art doesn’t exist to be useful, for a writer artistic expression of all kinds can be very useful indeed.

Heather Shaw